No Edge (2025)

No Edge explores spaces on the threshold between order and chaos.

Abandoned structures, construction materials, meshes — these elements appear not as signs of collapse, but as matter in itself. Detached from clear geography or time, they exist in suspension — neither beginning nor completion, without a defined edge.

What first appears as disorder gradually loses its familiar context. Forms dissolve into texture and surface; objects loosen from their given meanings. A mesh no longer reads as a mesh, but as something open and indeterminate.

Many images are made in the early morning, when perception is less shaped by habit. In this state, things have not yet settled into their names, allowing a more open way of seeing.

Rather than imposing order, the work follows the moment it begins to emerge on its own — not structuring chaos, but attending to how form reveals itself within it.

The unfinished, the fragmented, the abandoned are not signs of collapse, but of an ongoing process. Here, entropy is not melancholic, but attentive — to material, to silence, to what is not yet fully formed.